Music Island

Mass in e minor; Motets

The Complete Choral Works

Gabriel Fauré (1845-1934): Pelléas et Melisande. Suite op.80; Prélude; La Fileuse; Sicilienne; La Mort de Mélisande; Peter Tschaikowski (1840-1893): Capriccio italien op.45; Sergei Prokofiev (1891-1953): Szenen aus dem Ballett "Romeo und Julia" op.64 nach William Shakespeare; Die Montagues und die Capulets; Julia; Tanz; Romeo und Julia; Romeo an Julias Grab; Tybalts Tod

Joseph Haydn (1732-1809): Streichquartett in C-Dur op. 54/2, Hob.III:57; Vivace; Adagio. Attaca:; Menuetto: Allegretto; Adagio - Presto - Adagio; Béla Bartók (1881-1945): Streichquartett Nr. 4 in C-Dur, Sz 91; Allegro; Prestissimo, con sordino; Non troppo lento; Allegretto pizzicato; Allegro molto; Joseph Haydn (1732-1809): Streichquartett in G-Dur op. 77/1, Hob. III:81; Allegro moderato; Adagio; Menuet. Presto-Trio; Finale. Presto

Psalms - Complete Recording

Sylvio Lazzari (1857-1944): Sonata in E major op. 24; Lento - Allegro ma non troppo; Lento; Con fuoco; Sylvio Lazzari (1857-1944): Scherzo G sharp minor; Animé; Volkmar Andreae (1879-1962): Sonata in D major op. 4; Allegro molto; Lento; Presto

Silence and Music: O Bone Jesu, Mairi; Mass in G Minor, Silence and Music

Franz Schubert: Sonata in A minor, D 784; Allegro giusto; Andante; Allegro vivace; Franz Schubert: Sonata in A major, D 959; Allegro; Andantino; Scherzo. Allegro vivace-Trio. Un poco pie lento; Rondo. Allegretto

Franz Schubert: Variations on "Trockene Blumen", D 802 from "Die schöne Müllerin" (D 795); Introduktion; Thema; Variation 1; Variation 2; Variation 3; Variation 4; Variation 5; Variation 6; Variation 7; Franz Schubert: Sonatina in A Minor for Violin (Flute) and Piano, D 385; Allegro moderato; Andante; Menuetto; Allegro; Franz Schubert: Sonate in A Major for Violin (Flute) and Piano, D 574; Allegro moderato; Scherzo; Andantino; Allegro

Romances and Ballads for a cappella Choir: Romanzen und Balladen I (5), for mixed chorus, Op. 67; Romanzen und Balladen II (5), for mixed chorus, Op. 75; Romanzen und Balladen III (5), for mixed chorus, Op.145; Romanzen und Balladen IV (5), for mixed chorus, Op. 146; Romances I, 6 part songs for female voices, Op. 69; Romances II, 6 part songs for female voices, Op. 91

Various

Cor dolce, cor amabile, for chorus (from Musica Sacra), A. 507; Jose, for chorus ("Quadrilha caipira"), A. 455; As costureiras, embolada for female chorus, A. 329; Bachianas Brasileiras No. 9, for chorus (or string orchestra), A. 449; Choros No. 3, for male chorus & winds, "Picapau", A. 206; Poema de palavras, song for voice & orchestra, A. 542; Lendas amerindas (2), for chorus, A. 506; Ave Maria, motet for chorus, A. 319; Bazzum, for male chorus, A. D018; Preludio No. 8, transcription for cello & piano (after J. S. Bach, BWV 853), A. 261; Fuga No. 8, transcription for chorus (after J. S. Bach; Na Bahia tem, for band, A. 297; Bendita Sabedoria (7), biblical settings for chorus, A. 543