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Wydawnictwo: Bis
Seria: CPE Bach Edition
Nr katalogowy: BIS 2260
Nośnik: 1 CD
Data wydania: styczeń 2018
EAN: 7318590022603
w magazynie
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Epoka muzyczna: barok
Obszar (język): niemiecki
Instrumenty: fortepian
Rodzaj: sonata, rondo, fantazja

Bach: Solo Keyboard Music, Vol.35

Bis - BIS 2260
Miklos Spanyi, tangent piano
Sonata No.1 in E minor, Wq 59/1 (H 281)
Rondo No.1 in G major, Wq 59/2 (H 268)
Sonata No.2 in B flat major, Wq 59/3 (H 282)
Rondo No.2 in C minor, Wq 59/4 (H 283)
Fantasia No.1 in F major, Wq 59/5 (H 279)
Fantasia No.2 in C major, Wq 59/6 (H 284)
Variations in F major on "Ich schlief, da träumte mir", Wq 118/1:2 (H 69)
Arioso sostenuto in A major with five variations, Wq 79 (H 535) (solo version)
As Carl Philipp Emanuel Bach published successive collections of the Kenner und Liebhaber series, he explored new genres and styles. In the second collection he added his idiosyncratic rondos, and in the fourth he included free fantasias. The fifth collection, composed between 1779 and 1784, contains no new genres, but displays more variety in terms of textures and thematic ideas than any of the previous volumes. In fact, Bach’s preoccupation with variation is almost obsessive –it is as if he cannot finish phrases without varying either texture, tonality, rhythmic pulse or dynamics.

To the six Sonatas, Rondos and Fantasias that make up the collection, Miklós Spányi adds two independent works. Bach initially composed 17 variations on the folk-like tune Ichschlief, da träumtemirin 1752 (included in Vol. 19 of this series) but returned to it almost twenty years later, publishing seven new variations. Closing the disc is another set of variations, now on an original theme, an Arioso sostenutoin A major. MiklósSpányibegan his survey of the Kenner und Liebhabercollections on the clavichord but the following discs have featured the tangent piano. And 35 discs into this monumental series, individual volumes are still being warmly greeted, for instance on EarlyMusicReview.comwhere the reviewer of Volume 32 (BIS-2205) professed to be ‘invariably struck not only by the originality of C. P. E. Bach’s keyboard writing, but also the high level of performance consistently maintained by Miklós Spányi.’

Recording: July/August 2016 at the Keizerszaal, Sint-Truiden, Belgium

Zobacz także:

  • BIS 2213
  • BIS 2254
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  • WER 73702
  • LWC 1137
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  • ONYX 4188
  • AVI 8553385
  • UAV 5984